Showing posts with label T. S. Eliot. Show all posts
Showing posts with label T. S. Eliot. Show all posts

Sunday, October 23, 2011

Day 83 Night - The Four Crack Quartets: Remembering What I Did To Myself And Why I Must Walk With Dignity Today

I understand how tough these last few entries have been and how they hurt the ones I love because they worry about me and they feel helpless. I am sorry to be the source of more suffering. You must understand that I am doing this for a reason. I am not a poor soul who lost the genetic cancer lottery and was told by a doctor that there is a malignant tumor in my liver. I did this to myself, and I must take responsibility.

There will be no pictures in this blog except the one picture of me taken a few years ago in Mexico. The casual leaning on the tongue lashing my ass kind of fits the bill. It shows the remnants of the poser and the ultimately cool Hollywood guy that will always be lurking somewhere in me.
John Lavitt Posing with Graffiti in Ensenada, Mexico in 2007

Below are four poems I wrote in 1994 when I gave in to cheap desire and became a crack addict. As you know from past entries, it was one of the ugliest times in my life. And it truly frightens me when I realize that it took close to another decade for me to hit bottom and finally get sober. All that time with brief stopping points and geographical escapes, I was an unforgivable addict. First crack, then cocaine and heroin. Always smoking except the one time that I shared a needle and was infected with the Hepatitis C virus. It sound like extraordinary bad luck, but it seems appropriate to me that such actions result in such consequences.

I have placed the four poems under a single heading in somewhat twisted homage to T. S. Eliot and his celebration of wastelands and alienated losers. After all, the names of Eliot's first two quartets are Burnt Norton and East Coker. It seemed to make sense in a strange sort of way since the themes of the first two poems of the series are described by C. K. Stead as...


1. The movement of time, in which brief moments of eternity are caught.
2. Worldly experience, leading on to dissatisfaction.
3. Purgation in the world, divesting the soul of the love of created things.


Such themes when mutilated surely reflect the horror as expressed below...


           
the four crack quartets



how accurate


long walk in darkness and silence,
a deafening cry pounding inside,
flooding the chambers, cheap desire,
so much freedom given away so soon,
mutilated on her altar, unrecognized,
rotting, and i almost gave my life
away, almost sacrificed my life
for smoke, my life for smoke.

can barely remember how it began;
when bitterness rose like vapor,
expanding into a cynical answer.
how quickly it filled my life,
how little there was to fill.
i'm not scared of these sentences.
today is not trembling with fear.
is tomorrow a burnt offering?

we expose horror in routine.
through routine the smoke
rises, habits rising night to night
until vergil and the dark descent
is no longer a poet's metaphor.
i pass him by, taking no notice,
noticing now only and forever
how cold and damp my palms,
how accurate the shaking.



more


this is amazing!
i am killing myself
with each rising breath
of bitterness, sweet
bitter smoke rising.

it has stolen me flat.
it creeps and lies readily
and more often in night
amid the slow emptiness,
slowly demanding more

the dive into a wave of death,
youth cruising on the crest
of a wave breaking, breaking
into my soul and the good life
sinks, drowning in ashes

dark magic, deluded, blinded,
the journey down and deeper
into buried lies, obscured
by the smoke and she calls
and i come and i abandon

all whys to the wanting,
i fall, solitary liar falling,
without fighting, bereft
of doubt, ignoring all fear:
this is just a passing fancy,

a consumer on the edge
of hell, american hell perfect
where the soul shrivels black,
the crack they sell extracts
wanting, wanting always more.



away


i have seen what the smoke
can destroy, almost without warning;
how readily i ignore the danger,
tossing the worst outcome aside

even when the worst is sure to arrive.
the real cost multiplied: pound of lung
and the disfigurement of pride.
ask and you shall see what lies:

all the smart reasons why i won't die,
why i'll never sink with the suicides;
because this, this is a crazy adventure,
a youthful romp down the road to hell

where hope withers, love impaled
on the wanting, cheap and ready.
the smoke; ready with the answer
to a question asked so carelessly.

my god, i gave your gifts away,
sacrificed more than good, more than evil,
more than the first taste from the tree –
hell - i murdered the first possibility.

all my potential reduced to residue,
ambition drowning in wet hollow sighs
as the fire god ignites an empty life
and i forget why i needed to escape,

forget the notion of escape, my life
so readily replaced by smoke slipping
into glassy eyes, engulfing all dignity
as the dream shrivels and friends die.



really o.k.


even rain falling
falls into the delusion
of rock, thin wet flakes
lurking under my tongue

in reflections of tin foil
i watch the very best lies
gently rise into smoke,
rising past all potential.

cold fingers rattle now,
waiting forever for one more
taste of sweet heaven-scent,
sinking swiftly into more

waiting, struggle to remain
a little more high and i
will be fine, i'm really o.k.
if there's one more hit,

but stillness never comes,
only the desperate maintenance
of purgatory, soon exhausted,
shivering into morning light.




Thursday, September 29, 2011

Day 62 Night - To Tone Down Or Not To Tone Down: That Is The Question Of Authenticity

Hamlet:
To be, or not to be, that is the question:
Whether 'tis nobler in the mind to suffer
The slings and arrows of outrageous fortune,
Or to take arms against a sea of troubles
And by opposing end them.



Okay, without a doubt, I am no Hamlet nor was meant to be. And there I go again, slipping away from Shakespeare, as I unconsciously quote what is perhaps the greatest poem of the 20th century in the English language, T. S. Eliot's The Love Song Of J. Alfred Prufrock...

No! I am not Prince Hamlet,
nor was meant to be;
Am an attendant lord, one that will do
To swell a progress, start a scene or two,
Advise the prince; no doubt, an easy tool,
Deferential, glad to be of use,
Politic, cautious, and meticulous;
Full of high sentence, but a bit obtuse;
At times, indeed, almost ridiculous—
Almost, at times, the Fool.

Yes, the fool indeed, and this is exactly what my mother now fears because she believes that I really must tone down this blog. After all, when I am blogging about diarrhea and the like, it's just plain disgusting and who the hell wants to read such crap, so to speak, and don't you know and realize that this is on the Internet for the whole world to see? 

Yes, I suppose that I do know that and I suppose that is the reason why I choose not to tone it down in the slightest. If you want to avoid the warts and the rest which I need not go into such detail right now, then you will have to bear with me and this account of my struggles. 

I understand, I realize, I know that at times, I can appear to be, I seem to be, I am the fool. 

But such foolishness I choose to embrace in this struggle because it is my struggle and it is my crucible to survive and to experience and to live, and I will not fail to live it authentically, as myself, and as I am.

I grow old … I grow old ...
I shall wear the bottoms of my trousers rolled.
 
Shall I part my hair behind? Do I dare to eat a peach?
I shall wear white flannel trousers, and walk upon the beach.
I have heard the mermaids singing, each to each.
 
I do not think that they will sing to me.

Yes, the fears are audible. I do not think they will sing to me so I choose to sing my own song. And this is my song and, I am truly sorry, mom, but I will not tone it down. 

It is so easy to become resigned to the reality that I am old and older than I was before and that I shall wear the bottoms of my trousers rolled. Is that what destiny has in store for this boy who is no longer a boy? Is that what fate holds for this man? I do not know the answer, but I know that I shall go on. For, as Samuel Beckett once wrote, in the end, it is the end that is the worst. We must go on a little more, we must go on a long time more and I must go on a little more, I must go on a long time more...

Right now, as the rash continues to spread and so I must venture into the doctor's office again in a few hours to have blood drawn and Interferon shot into my belly and my plight examined, I am nothing more than John Lavitt doing his best to survive and figure out what comes next and remain decent in the torrid face of the storm. If I am to be always in the eye of this storm, then I choose to embrace the calm and the peace and the serenity of the dream that one day this will end and my life will be mine again.